On his seventeenth album, the French dub pioneer Brain Damage has assembled together the Japanese experimentalist Emiko Ota and the British dub-eccentric Mad Professor and made a brilliantly strange record of what he calls ‘Post-Dub’. It is, however, so much more than that title suggests. Each track is named after one of the many mysterious spirits unique to the Japanese imagination - the yōkai - and each song takes on the unfathomable characteristics of these creatures, be they malevolent or benevolent to us mortals. Musically, the album swings from post-punk edge to cavernous digi-dub to curious theatrical vignettes, always with this sense of esoteric wonder. Read / Listen.